Busque também em nossas outras coleções:

Data da imagem:
Pauta
ver mais opções...
Agência
ver mais opções...
Fotógrafo
ver mais opções...
Pais
Estado
Cidade
ver mais opções...
Local
ver mais opções...
Editorias
ver mais opções...
Tipo de licença
Orientação
Coleção
ver mais opções...

Total de Resultados: 1.387

Página 1 de 14

20221023_zna_c181_080 October 23, 2022, Madrid, Spain: Information panel for the exhibition 'From Skin to Canvas: Another Look at Breast Cancer', at the Thyssen Museum, on October 23, 2022, in Madrid (Spain). Replicas of the works 'Adam and Eve' by Hans Baldung Grien, 'Venus and Cupid' by Peter Paul Rubens and 'The Naked Maja' by Francisco de Goya show the breasts of the women and men of their mastectomized protagonists with the aim of raising awareness of the importance of breast cancer prevention. The organizers intend, in addition to seeking the connection between art and breast cancer, to focus on the importance of continuing to support research to improve the lives of patients suffering from this disease...23 OCTOBER 2022;CULTURE;ART;PLASTIC ARTS;MUSEUM;ART GALLERY..Jesús Hellín / Europa Press..10/23/2022 (Credit Image: © JesúS HellíN/Contacto/Zuma Press/Fotoarena)
DC
1035_06_707287 Venus and Cupid, Leighton, Frederic
DC
908_06_lr2013165 Venus with Mercury and Cupid (The school of love)
DC
908_06_lr2013164 Venus and the Graces surprised by a mortal
DC
908_06_LR9507546 Venus and Mars
DC
908_06_LR5001307 Venus and Cupid
DC
908_06_LR5001306 Venus and Cupid
DC
alb10896365 Gaetano Callani (1736-1809). Italian painter. Venus and Cupid, 1810. Oil on canvas. Ala Ponzone Civic Museum. Cremona. Italy.
DC
alb2070050 Vecellio di Gregorio Tiziano / 'Venus and Adonis', 1554, Italian School, Oil on canvas, 186 cm x 207 cm, P00422. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb4131257 The Dream of Paris. Monogrammist PG; Germany, active c. 1525-50. Date: 1495-1550. Dimensions: 49.1 × 32.8 cm (19 5/16 × 12 7/8 in.)Painted Surface: 48.4 × 32 cm (19 1/16 × 12 5/8 in.). Oil on panel. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: MATTHIAS GERUNG.
DC
alb3744717 The Cult of Venus. Dated: 1596. Dimensions: plate: 44.9 x 32 cm (17 11/16 x 12 5/8 in.) sheet: 45.7 x 33 cm (18 x 13 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jan Pietersz Saenredam.
DC
alb3895055 Venus and Cupid, the Honey Thief. Date/Period: 1530. Painting. Oil on panel. Height: 68.6 cm (27 in); Width: 49.8 cm (19.6 in). Author: Lucas Cranach the Elder.
DC
alb3618753 Judgment of Paris: Paris extends his hand toward Venus, who stands between Juno and Minerva, surrounded by reclining and seated figures; above are a winged figure carrying a laurel wreath, a charioteer driving four horses, Castor and Pollux, and Jupiter accompanied by Ganymede, an eagle, Diana, and two other female figures. Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); After Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)). Dimensions: Sheet: 11 1/2 x 17 3/16 in. (29.2 x 43.7 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Date: ca. 1520-50. Museum: Metropolitan Museum of Art, New York, USA.
DC
akg8280692 CUPID AND VENUS AS FIGURAL PORCELAIN CANDLESTICK. Meissen. Vor 1924. Modell J.J. Kaendler. Porzellan, farbig und gold staffiert. Höhe 32,5cm. . Art trade, Van Ham.
DC
akg3918536 Varotari, Alessandro, gen. Il Padovanino; 1588-1648. "Opfer an Venus (oder: Das Venusfest)", zwischen 1616/23. Aus einer Serie von vier Gemälden. Öl auf Leinwand, je 178/188 x 175 cm. Inv. 58 AC 00004. Bergamo, Galleria dell'Accademia Carrara. Museum: Bergamo, Galleria dell'Accademia Carrara.
DC
alb3670134 Venus and Cupid. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Diameter 4 3/4 in. (12.1 cm). Date: ca. 1525-27.Cranach often treated the theme of Venus and Cupid, but this excellently preserved panel is the only version in a round format. Playing coquettishly with her veil and glancing at the viewer, Venus ignores Cupid, who is agitated by the situation. His arrow is missing, suggesting that he has been disarmed and is powerless against his mother. The picture was likely intended for display in a personal studiolo. Cranach might have painted the roundel not on commission but on speculation, to be sold to discerning collectors already conditioned by the tradition of medals and plaquettes to appreciate such refined work. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3601378 Venus and Adonis. Artist: Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?-1576 Venice). Dimensions: 42 x 52 1/2 in. (106.7 x 133.4 cm). Date: 1560s.Tales from Ovid's Metamorphoses inspired Titian to paint what he called poesie, or poetry in paint. Here, Venus tries to stop her lover from departing for the hunt, fearing--correctly--that he would be killed. The mood of sensuality, conveyed by the beautiful depiction of Venus from the back, enhances the viewer's sense of the tragic end to this story, expressed through their exchanged glances and the frightened Cupid. Titian's workshop made multiple versions of this composition, but this one is of exceptional quality and was painted by Titian himself. Museum: Metropolitan Museum of Art, New York, USA. Author: Titian (Tiziano Vecellio).
DC
alb3601530 Venus and Cupid. Artist: Lorenzo Lotto (Italian, Venice ca. 1480-1556 Loreto). Dimensions: 36 3/8 x 43 7/8 in. (92.4 x 111.4 cm). Date: 1520s.Lotto, whose unusual genius makes him one of the most fascinating of all Venetian painters, depicts Venus and her son Cupid in a bower, a subject inspired by ancient marriage poems. He probably painted it to celebrate the wedding of a cultivated couple in Venice or Bergamo, and Venus's features may be taken from the bride's. The beautifully observed details relate to the goddess and marriage. The ivy is symbolic of fidelity, the bride wore a myrtle wreath, and Cupid peeing is a lighthearted augury of fertility. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3660762 The Birth of Cupid. Artist: Master of Flora (Italian, Fontainebleau, second half 16th century). Dimensions: Overall 42 1/2 x 51 3/8 in. (108 x 130.5 cm), including added strip of 3 1/2 in. (8.9 cm) at top.This painting appears to depict the birth of Cupid, with attendants ministering to his mother, Venus. The lively, decorative composition is typical of French artists working in the style developed by the Italians at the château de Fontainebleau, such as Rosso Fiorentino of Florence and Primaticcio and Niccolo dell Abate of Bologna. The frame is sixteenth-century Italian. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb3645633 Mars and Venus. Artist: Engraved by Giovanni Battista Scultori (Italian, 1503-1575). Former Attribution: Formerly attributed to Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505-1565 Krakow (?)).In Mariette Album, folio 66 bottom. Museum: Metropolitan Museum of Art, New York, USA. Author: Engraved by Giovanni Battista Scultori.
DC
alb3640539 Venus pricked by the thorns on a rose bush, in the background Mars chasing Adonis, in the foreground winged cupid resting. Artist: After Luca Penni (Italian, Florence 1500/1504-1557 Paris); After Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: sheet: 11 15/16 x 8 3/8 in. (30.4 x 21.2 cm) within platemark. Date: 1556. Museum: Metropolitan Museum of Art, New York, USA. Author: after Luca Penni. After Giorgio Ghisi.
DC
alb4132604 Psyche Leaves for the Underworld. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (plate); 270 x 370 mm (sheet). Engraving in warm brown ink on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.
DC
alb9875127 Naked goddess Venus with winged Cupids holding darts, wheat and bunches of grapes. Venere con li Amori in cameo. Copperplate engraving by Giovanni Battista Galestruzzi after Leonardo Agostini from Gemmae et Sculpturae Antiquae Depicti ab Leonardo Augustino Senesi, Abraham Blooteling, Amsterdam, 1685.
DC
alb9879630 Portrait of Magdalena Offenburg as Venus, Roman goddess of love, with her son Cupid. In gown with slashed bodice and sleeves, seated at a table, with Cupid holding a dart. Titled: Venus et Amor. Copperplate engraving by Bartholomaus Hubner after a portrait accredited to Hans Holbein in Christian von Mechel's Oeuvre de Jean Holbein, Chez Guillaume Haas, Basel, 1790.
DC
alb9881098 Love goddess Venus of the Sea in lapis lazuli. She holds a sprig of myrtle and rides a sea goat representing Capricorn. Cupid follows with a whip keeping them on course. Dolphins in the oval frame. Venere Marina in lapis lazzali. Copperplate engraving by Giovanni Battista Galestruzzi after Leonardo Agostini from Gemmae et Sculpturae Antiquae Depicti ab Leonardo Augustino Senesi, Abraham Blooteling, Amsterdam, 1685.
DC
alb9881079 Venus, Roman goddess of love, sex, beauty and victory. She is shown with two cupids and the three graces. Copperplate engraving from Andrew Tookes The Pantheon, Representing the Fabulous Histories of the Heathen Gods, London, 1757.
DC
alb9882466 Venus, Roman goddess of love, offering a ball to Cupid. The Etruscan goddess of love and fertility was Turan. From an engraved cornelian gem. Venus Inci. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.
DC
akg308378 Pontormo, Jacopo, real name Jacopo Carrucci; 1494-1557. "Venus and Cupid", c. 1532/34. (After a cartoon by Michelangelo). Detail: masks. Oil on wood, 127 × 191cm. Inv. no. 1570. Florence, Galleria dell'Accademia. Museum: Florence, Galleria dell'Accademia.
DC
akg1898109 Balen, Hendrik van (1575-1632). and Brueghel, Jan the Elder (1568-1625). "Landscape with Venus, Bacchus and Ceres (Without Ceres and Bacchus, Venus freezes), c.1620. (Sine Cerere et Baccho friget Venus; Common antique proverb). Oil on oak, 58.5 × 100.5cm. Prague, National Gallery. Museum: Prag, Národní Galerie (Nationalgalerie).
DC
alb4132323 A White Bird Telling Venus of Cupid's Illness. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (plate); 270 x 370 mm (sheet). Engraving in warm brown ink on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: Master of the Die.
DC
alb4102636 Venus, Bacchus and Ceres with Mortals in a Garden of Love. Dating: 1590 - 1621. Measurements: h 54.5 cm × w 74 cm. Museum: Rijksmuseum, Amsterdam. Author: LOUIS DE CAULLERY.
DC
alb4103490 Venus and Cupid. Dating: 1575 - 1590. Measurements: h 97 cm × w 71 cm; d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Paolo Veronese (workshop of). Benedetto Caliari (attributed to).
DC
alb4102959 Diana and Virtus Punish Venus and Bacchus. Dating: 1694. Measurements: h 192 cm × w 157 cm; d 7.5 cm. Museum: Rijksmuseum, Amsterdam. Author: T. van Malsen.
DC
alb2068118 Pedro Pablo Rubens; Jan Brueghel 'el Viejo' / 'Smell', 1617-1618, Flemish School, Oil on panel, 65 cm x 111 cm, P01396. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
akg7830135 Apollo in the forge of Vulcanus Theater of emblems opened for the service of painter's image holders etc. (series title), Vulcan, by his anvil, hears the news of Apollo, his wife, shocked Venus commits adultery with Mars. Apollo has its winch attached and has a light wreath of sun rays around the head. Below right: O. Print of part 1 of a series of prints with emblems, in total consisting of three parts with respectively 23, 17 and 20 prints, cupids: 'amores', 'amoretti', 'putti', Arnold Houbraken, 1688 - 1700, paper, etching, h 169 mm × w 100 mm.
DC
akg304312 Mengs, Anton Raphael 1728-1779. "Venus mourns Adonis", c. 1757. (Venus mourns Adonis, killed by a boar; - Ovid, Met. X, 529 ff.). Watercoloured sepia, 20 × 21.6cm. France, private collection.
DC
alb2070585 Giambattista Tiepolo / 'Olymp', 1761-1764, Italian School, Oil on canvas, 87 cm x 61,5 cm, P00365. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
akg049625 Scarsella, Ippolito, byname Scarsellino, 1551 - 1620, Ital. painter. "Venus bathing". Painting. Rome, Galleria Borghese. Museum: Rome, Galleria Borghese.
DC
alb5136288 Artist: Pieter Fransz. de Grebber, Dutch, ca. 1600ca. 1653, Christ Healing the Blind Man (recto); Venus and Cupid (verso), 17th century, Black chalk heightened with white (recto); black chalk, traced for transfer, on bluish-green paper (verso), image (recto): 19.1 × 30.2 cm (7 1/2 × 11 7/8 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Drawings and Watercolors.
DC
alb5175518 Designs for Gobelins Tapestry, June (Les Mois Grotesques par Bandes), Claude Audran III, French, 1658 - 1734, Red chalk, pen and brown ink on cream laid paper, Three vertical panels depicting the months of April, June and October, in reverse from the engraved designs for tapestries. 'April' shows the bull in a wreath medallion at top, with Venus and Cupid in a frame at the center of the drawing. Below the frame is a swan between billing pairs of doves, all resting on a pedestal supported by dolphins. In 'June', Cancer is omitted. Mercury is placed in the central framing structure surmounted by a cock. A ram is below. 'October' shows Scorpio in a wreath at top, Minerva in the central frame, and Arachne(?) making a tapestry below., France, 170910, textile designs, Drawing, Drawing.
DC
alb5083965 Venus Chiding Cupid, Print made by Francesco Bartolozzi RA, 17281815, Italian, active in Britain (176499), after Sir Joshua Reynolds RA, 17231792, British, 1784, Stipple engraving and etching on moderately thick, moderately textured, cream laid paper, Sheet: 11 5/8 x 10 1/8 inches (29.6 x 25.7 cm) and Image: 9 1/2 x 8 1/16 inches (24.2 x 20.4 cm), arrows, boys, brothers, children, clouds, curls, family, goddess, gods, guilt, love, mathematics, mother, mythology, nude, numbers, oval, portrait, punishing, punishment, putto, religious and mythological subject, Roman, sadness, scroll (information artifact), smiling, sons, Venus punishing Cupid, wings, woman.
DC
alb5080916 Venus Childing Cupid, Francesco Bartolozzi RA, 17281815, Italian, active in Britain (176499), after Sir Joshua Reynolds RA, 17231792, British, 1784, Stipple engraving on moderately thick, moderately textured, cream, laid paper, Sheet: 17 1/16 × 12 7/8 inches (43.3 × 32.7 cm), Plate: 14 3/8 × 11 inches (36.5 × 27.9 cm), and Image: 9 3/8 × 7 7/8 inches (23.8 × 20 cm), arrows, children, clouds, goddess, scroll, teasing, wings, woman.
DC
alb5095771 Vignette entitled 'Moore' depicting Cupid, Venus, and Juno, Francesco Bartolozzi RA, 17281815, Italian, active in Britain (176499), after Biagio Rebecca, Italian, 17351808, Italian, 1782, Engraving.
DC
alb5142030 Wilhelm Weimar, ivory rasp with bathing girl and ivory rasp with Venus and Cupid representation (tobacco grater), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: u.: in black ink: 1740,a (1740) 1740,b, inscribed: o. in black ink: (1891,177) (1881,3), work of applied art (bone, ivory), shell, grotesque (ornament), flower and fruit still life.
DC
alb5115292 Artist: Jan Saenredam, Dutch, 15651607, After: Hendrick Goltzius, Dutch, 15581617, Venus and Cupid, Engraving, sheet: 23 × 16 cm (9 1/16 × 6 5/16 in.), Made in The Netherlands, Dutch, 16th century, Works on Paper - Prints.
DC
alb4223862 'Venus Sucking Cupid'. Italy, 1610s. Dimensions: 63x47 cm. Museum: State Hermitage, St. Petersburg. Author: LAVINIA FONTANA.
DC
alb4104830 A Girl Drawing and a Boy near a Statue of Venus. A Statue of Venus, with a Girl Drawing and a Boy. Dating: 1715. Measurements: h 38.5 cm × w 29 cm. Museum: Rijksmuseum, Amsterdam. Author: Pieter van der Werff.
DC
alb4104885 Venus and Adonis. Dating: c. 1658. Measurements: h 168 cm × w 230 cm; d 6 cm. Museum: Rijksmuseum, Amsterdam. Author: Ferdinand Bol (mentioned on object).
DC
alb4105814 Portrait of Mary Stuart (1662-95), Wife of Prince William III. Dating: c. 1683. Measurements: h 80.5 cm × w 63.5 cm; d 5.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Caspar Netscher.
DC
alb2068779 Pedro Pablo Rubens; Jan Brueghel 'el Viejo' / 'Hearing', 1617-1618, Flemish School, Oil on panel, 64 cm x 109,5 cm, P01395. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb2069503 Pedro Pablo Rubens (and workshop) / 'The Rape of Proserpina', 1636-1637, Flemish School, Oil on canvas, 181 cm x 271,2 cm, P01659. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PEDRO PABLO RUBENS (Y TALLER).
DC
alb2068876 Pedro Pablo Rubens; Jan Brueghel 'el Viejo' / 'Touch', 1617-1618, Flemish School, Oil on panel, 64 cm x 111 cm, P01398. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb3899203 Rinaldo Enchanted by Armida. Date/Period: From 1742 until 1745. Painting. Oil on canvas. Height: 1,875 mm (73.81 in); Width: 2,168 mm (85.35 in). Author: Giovanni Battista Tiepolo.
DC
alb3697648 The Bath of Venus. Dated: 1751. Dimensions: overall: 107 x 84.8 cm (42 1/8 x 33 3/8 in.) framed: 132.1 x 110.2 x 7.6 cm (52 x 43 3/8 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Francois Boucher.
DC
alb4102795 Odysseus and Calypso. Mars and Venus. Dating: c. 1680. Measurements: h 125 cm × w 94 cm. Museum: Rijksmuseum, Amsterdam. Author: Gerard de Lairesse.
DC
alb9530383 Standing in profile, toward right. Her left hand is reaching for a bunch of grapes, the right is raised. Cupid is riding upon her shoulders. Graphite on paper. Date: 1820-1825. Museum: Cooper Hewitt, Smithsonian Design Museum.
DC
alb9528671 Drawing after a fresco devised by Giulio Romano in the Palazzo del Te in Mantua. The entire picture is not shown. The gods and those busy about them are shown. Date: ca. 1781. Lead pencil, pen and dark ink, brush and gray watercolors on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
DC
alb5175565 Wallpaper Design: Reconciliation of Venus and Psyche, Merry-Joseph Blondel, French, 17811853; active Paris, France 18021851, Joseph Dufour et Cie., French, 17521827, Graphite, black, white chalk, brush and black ink on brown coated paper mounted to paperboard, Venus and Psyche embracing at center of composition. Cupid leaning on Venus' throne looks on at right foreground. Three unidentified maidens in right background. Neoclassical architectural setting includes pavilion with Ionic columns and arcade with Doric columns., Paris, France, 1815, wallpaper designs, Drawing, Drawing.
DC
alb5175706 Venus and Adonis (after Titian), Robert Strange, Scottish, 1721 - 1792, Titian, Italian, ca. 1488 - 1576, In a landscape, nude Venus throws her arms about Adonis who is about to depart with his hunting dogs. At the right, Cupid looks on., England, 1779, Print, Print.
DC
alb5178582 Venus and Cupid at the Forge of Vulcan, Gérard de Lairesse, Dutch, 16411711, Engraving on white laid paper, Venus is shown putting arrows into a quiver held by Cupid. Behind her is a pile of warfare implements. In the background, three figures hammer at the forge., Netherlands, ca. 1700, figures, Print, Print.
DC
alb5179319 Time (Chronos) Entrusting Cupid to Venus, Pen and brown ink, brush and brown wash, white gouache, over black chalk on brown laid paper, Horizontal rectangle. The male figure of Chronos, Time, shown in profile with wings and a long beard at left, lowers the baby Cupid onto a rock. The goddess Venus sits at the rock's summit, facing forward, sandals on her feet and jewelry at her neck, her face turned towards Chronos and the baby. She sits upon a pile of drapery. Behind her, another nude female figure kneels. Behind the two women are two cupids at left, one carrying a horn, and a soldier with decorated shield at right. In the foreground, at right, a snake curls around the edge of a broken wagon axel, a white bird prepares to alight on the ground below the snake. In the background at right, a rocky landscape with architectural ruins. The figure of a vulture on a pedestal at right, caryatid figure at right edge., Venice, Italy, ca. 1757, figures, Drawing, Drawing.
DC
akg8690559 Noël-Nicolas Coypel, French Rococo painter, 1690-1734. Birth of Venus, c.1732. Oil on canvas, 81.0 x 64.0 cm. Tokyo, Fuji Art Museum.
DC
akg8788311 François LeMoyne, 1688 - 1737. Venus and Adonis, 1729. Oil on canvas, 94 × 74 cm. Stockholm, National Museum.
DC
alb2273801 Three Mercuries, Venus seated and two cupids, Bacchus, Mercury, Pan and the geniuses Psyche and two parche Diana with an olive branch, image from the Collection of Greek Vases by Mr. Le Comte de Lamburg (Collection des vases grecs de Mr le comte de Lamberg), 1813-1824, by Alexandre de Laborde (1773 -1842), Volume II, Plate 4. Location: Paris, Bibliothèque Des Arts Decoratifs (Library).
DC
alb1980894 Venus, Cupid and Mars, 1548-1550, by Lambert Sustris (ca 1515-ca 1560), oil on canvas, 132x184 cm. Location: Paris, Musée Du Louvre.
DC
alb1985688 The Triumph of Venus, 1833, Francis Podesti (1800-1895). Detail. Location: Rome, Galleria Nazionale D'Arte Moderna (National Gallery Of Modern Art).
DC
alb1989456 The Triumph of Venus, 1833, Francis Podesti (1800-1895). Detail. Location: Rome, Galleria Nazionale D'Arte Moderna (National Gallery Of Modern Art).
DC
alb1890242 Fresco depicting Eros being punished in the presence of Aphrodite, from the House of Love Punished, Pompeii (UNESCO World Heritage List, 1997), Campania. Roman Civilization, 1st Century. Location: Naples, Museo Archeologico Nazionale (Archaeological Museum).
DC
alb1509077 Roman civilization, Israel, 3rd-4th century A.D. Mosaic floor from a Roman villa at Tzippori (Nazareth) depicting scenes from the life of Dionysus. Detail: face of a woman known as the Mona Lisa of the Galilee.
DC
alb1976896 Mars and Venus with Love, by Paolo Caliari known as Veronese (1528-1588). Location: Turin, Galleria Sabauda (Picture Gallery).
DC
alb1979322 The Triumph of Venus, 1833, Francis Podesti (1800-1895). Detail. Location: Rome, Galleria Nazionale D'Arte Moderna (National Gallery Of Modern Art).
DC
alb4992500 Vz: woman (Venus?) Standing to the right with sword in hand and long robe, next to her is Cupid, between them in a vase, in background scrub ?, gem, intaglio, amethyst, Color: light purple, Form : oval, standing, Processing:, Method: 19 x 17 mm, D. 6 mm, wt. 2.38 gr., 16th century? 1500-1600.
DC
alb4136168 Venus, Cupid and Pallas. School of Marcantonio Raimondi (Italian, c. 1480-1534); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1500-1599. Dimensions: 197 x 131 mm (sheet). Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.
DC
alb5191710 Study for an Overdoor Painting, Cupid Removes a Thorn from the Foot of Venus, Marc Antonio Franceschini, Italian, 1648 1729, Pen and brown ink, brush and brown wash, graphite on paper, lined, Figure of a woman (Venus), shown in profile, sits on the ground, turned toward left and leaning with her back against an elevation of rock. Her expression is full of pain--she gestures with her right hand to express further suffering. Her left arm holds her left leg, and Cupid tries to remove a thorn from the sole of her foot. Framing line in pen and brown ink. Squared in graphite., Bologna, Italy, 1707, figures, Drawing, Drawing.
DC
alb4118324 Venus and Adonis (?). Draughtsman: Aert Schouman. Dating: 1720 - 1792. Measurements: h 177 mm × w 125 mm. Museum: Rijksmuseum, Amsterdam.
DC
akg1798574 Gossaert, Jan, genannt Mabuse. um 1478/88 - 1532. "Venus und Amor", 1521. Auf Eichenholz, 41,5 × 30 cm. Inv. 6611. Brüssel, Musées Royaux des Beaux-Arts. Museum: Brüssel, Musées Royaux des Beaux-Arts.
DC
akg7906401 Lanino, Bernardino (attributed to), 1512/13-1583. "Mars and Venus", 16th century. Painting, oil painting. PPP2567, Paris, Petit Palais.
DC
akg5953169 The so-called Venus Felix (Venere Felice)Sculpture of Venus and Eros.The Venus Felix is a sculpture of Venus and her son Cupid which dates back to the 2nd-century AD. It was dedicated by Sallustia and Helpidus to Venus Felix. Its head resembles Faustina the Younger. It is now held at the Pius-Clementine museum of the Vatican Museums, Rome, and is displayed in the Octagon of the Hermes Hall.Inspired by Praxiteles' Aphrodite of Cnidus. 2nd cent ADinv. 129Vatican Museums (Pio Clementino Museum - Octagonal Courtyard).
DC
akg5953166 The so-called Venus Felix (Venere Felice)Sculpture of Venus and Eros.The Venus Felix is a sculpture of Venus and her son Cupid which dates back to the 2nd-century AD. It was dedicated by Sallustia and Helpidus to Venus Felix. Its head resembles Faustina the Younger. It is now held at the Pius-Clementine museum of the Vatican Museums, Rome, and is displayed in the Octagon of the Hermes Hall.Inspired by Praxiteles' Aphrodite of Cnidus. 2nd cent ADinv. 129Vatican Museums (Pio Clementino Museum - Octagonal Courtyard).
DC
akg5886943 Hans Makart; 1840-1884. "Venus and Cupid", undated. Canvas, 51 × 54 cm. Inv. no. G 685; Wuppertal, Von der Heydt-Museum. Museum: Wuppertal, Von der Heydt-Museum.
DC
akg5452512 Unbekannter venezianischer Künstler, 3. Viertel 16. Jahrhundert, nach Michelangelo. "Venus und Amor". (Nach einem Karton, 1532/33, von Micheelangelo Buonarroti; 1475-1564). Öl auf Leinwand, 123 x 160 cm. Dauerleihgabe der Staatlichen Museen zu Berlin, Gemäldegalerie, Inv. Nr. 233. Brühl, Schlösser Augustusburg und Falkenlust. Author: Michelangelo. ANONYMOUS.
DC
akg5452444 Broeck, Hendrik van den; 1522 - um 1600; zugeschrieben. "Venus und Amor", um 1550/1570. (Nach einem Karton, 1532/33, von Micheelangelo Buonarroti; 1475-1564). Öl auf Holz, 135,9 x 192,7 cm. Inv. Nr. 84068, Neapel, Galleria Nazionale di Capodimonte.
DC
akg135064 Cranach, Lucas the Elder 1472-1553. "Venus and Amor", 1520. Oil on wood, 104 × 57cm. Bucharest, National Museum of Arts. Museum: Bucharest, National Museum of Arts.
DC
alb5195392 Pleated fan, Gilded parchment leaf painted in watercolors, carved and gilded mother-of-pearl sticks with gold and silver foil, Pleated fan. Parchment leaf gilded and painted in watercolors. Obverse: birth scene in woodland setting with mother reclining on couch while the child is washed and attended by maidens. At right, river gods. Reverse: a central cartouche portrays Venus and Cupid in a landscape setting. Carved and gilt mother-of-pearl sticks with gold and silver foil. At center, two couples sitting beneath an arcade, surrounded by putti and scrolls., Italy, late 18thearly 19th century, costume & accessories, Pleated fan.
DC
alb5196880 Venus, design for a ceiling painting for the Teatro Argentina in Rome, Francesco Grandi, Italian, 1831 - 1891, Crayon, carbon on blue paper., Recto: Circular composition. The goddess is sitting upon clouds, breasts and lap covered with a cloth. Beside her, at left, Cupid, addressing her, at right the two doves. Written below, at right: 'Soffitta teatro Argentina,' and 'F. Grandi', Verso: In opposite direction: at left, the upper act of the Deposition. At right: The Virgin, turned toward left; the right leg not drawn., Italy, 18601861, Drawing, Drawing.
DC
alb5192747 Venus and Cupid, Cherubino Alberti, Italian, 15531615, Polidoro da Caravaggio, Italian, 1499 - 1543, Engraving on paper, Venus is shown from the rear holding the arms of Cupid., Italy, ca. 1590, Print, Print.
DC
alb5194750 Etui with Writing and Grooming Instruments, Enamel on copper, gilt copper, steel, ivory, cut wood, Etui (a), with hinged lid, the whole of flattened oval form in section, tapering toward base; green ground diapered in raised white dots; raised white rococo scrolls framing five panels with mythological scenes in color: Diana seated with standing dog; Venus standing with Cupid running with a bow, obelisk behind. Fitted with ivory memo tablet (b), gilt copper pencil holder (c), gilt copper paper knife (d), gilt copper pen knife with steel blade (e), steel and gilt copper scissors (f), steel tweezers (g), and a gilt copper bodkin (h)., Staffordshire, England, 177080, enamels, Decorative Arts, Etui with Writing and Grooming Instruments.
DC
alb5195096 Design for a Panel, Pen, ink with water color on paper, Design for a panel with semi-circular ends, top, and bottom. A trophy of pastoral objects and a flower basket are suspended from a bracket. A circular medallion is in the center, showing Cupid having shot an arrow and standing on clouds. The doves of Venus are beside him at left. Tops of trees in the right distance. Framing line and striped. Verso: green crayon scribbling and scrolls., France, ca. 1780, Drawing, Drawing.
DC
alb5197285 Bacchus, Venus, and Ceres, Hendrik Goltzius, Netherlandish, 1558 1617, Jan Saenredam, Dutch, 1565 - 1607, Engraving on paper, Venus is shown seated between Bacchus and Ceres before a tent. Cupid in the foreground., Netherlands, 1600, Print, Print.
DC
alb5182871 Psyche Bringing Venus a Goblet of Water from the Fountain of Youth, Merry-Joseph Blondel, French, 17811853; active Paris, France 18021851, Joseph Dufour et Cie., French, 17521827, Block printed on handmade paper, One scene from the twelve which illustrate the story of Cupid and Psyche. This scene, containing three panels, shows a kneeling Psyche offering a goblet to a seated Venus. Cupid, leaning on his bow, stands on a pedestal in the background. The figures are within an Empire-style interior, with marble-tiled walls, columns, fountains, coffered ceiling and parquet floor. The entire scene is printed in grisaille, or shades of gray., Paris, France, ca. 1820, Wallcoverings, Scenic, Scenic.
DC
alb5183996 Design for Toile de Jouy: La Marchande d'Amours (The Cupid Seller), Hippolyte Le Bas, (French, 17821867), Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper mounted on board, Printed cotton textile design with four vertical rows of cameo medallions (octagonal, oval, circular, hexagonal, etc.) each displaying a classicized scene against a pattern of rosettes within a diamond grid. Above center to the left, the 'Merchant of Love' (which gives the piece its name) is in the octagonal medallion: a seated woman, at the right, grasps a cupid by its wings to remove it from its cage to show to the two women at the left. This medallion is surmounted by a pair of swans; one holding a panpipe, the other a triangle on a ribbon dangling from its beak. Beneath, is a 'cameo relief' of the infant Hercules riding a lion. At the upper right, a cupid sails on a boat made of his quiver and bow, with arrows for oars, and his torch as the mast. At the lower right (within a hexagon), Venus consoles the youth Cupid, while Time breaks his bow. At the left, a butterfly (symbol of Psyche), above a flower basket, which is above a pair of embracing cupids. To the right of lower center: fragmented image of Cupid and Psyche embracing. Medallion dimensions (including respective borders): Cupid Seller 19.5 x 26 cm (7 5/8 x 10 3/16 in.); Time breaking Cupid's bow 19.5 x 26 cm (7 5/8 x 10 3/16 in.); Cupid on 'Bow/boat' 16.5 x 22 cm (6 1/2 x 8 5/8 in.); infant Hercules/lion 17.2 x 22 cm (6 3/4 x 8 5/8 in.); Cupid sharpening arrows 13 cm diameter (5 1/16 in.); butterfly, without border, c. 4.5 cm diameter (1 3/4 in. diameter)., 181718, textile designs, Drawing, Drawing.
DC
akg5214921 Boucher, Francois; 1703-1770. "Venus in her Bath surrounded by Nymphs and Cupids". Oil on canvas, 111 x 147 cm. Inv. NM 769. Stockholm, National Museum. Museum: Stockholm, National Museum.
DC
akg5213896 Anonymous; manner of Peter Paul Rubens (1577-1640). "Mars, Venus and Cupid". Oil on wood, 34 x 44 cm. Inv. NM 610. Stockholm, National Museum.
DC
akg5565959 Niederländisch, 2. Hälfte 16. Jahrhundert. oben:. - Die Planetengötter: Venus. Inschrift am unteren Rand: "Cum viridi rident ... tempore blanda coli". - Kupferstich von Adriaen Collaert (1560-1618) nach Zeichnung von. Maarten de Vos (1532-1603). ca. 21 x 27 cm. Aus einer Kupferstichfolge. unten:. - Allegorie der Erde. Inschrift am unteren Rand: "TERRA parens, ... // ... manet. // Fert gramen, ... // ... quodque queat. // Adrian.Collaert invent.Sculp. et excud." - Kupferstich und Zeichnung von Adriaen Collaert (1560-1618). ca. 17 x 21 cm.
DC
akg416624 Rubens, Peter Paul 1577-1640. "Sine Cerere et Baccho friget Venus (Die frierende Venus) ", um 1614. Öl auf Holz, 51,5 × 79 cm. Inv. Nr. A 13. Wien, Akademie der Bildenden Künste. Museum: Wien, Akademie der Bildenden Künste.
DC
akg4470019 TATUAGGI'obscene Tatuaggio - celebre a Thaïs di Piazza Francese carried tattooed on the abdomen a woman ignuda and on the mammelle of the figure there were two numbers 6 and 16 that in the smorfia Neapolitan correspond to the apperture of the perineale region of which this wandering Venus from 8 years illustration from treaty extracted from the archive of Psichiatria, Penal Sciences made opened commerce...'and Criminalogy'the Tatuaggio of the racketeers and the prostitutes of Napoli'con notes of the Dr. To. De Blasio - Torino 1894.
DC
alb5166030 Table cover, Medium: silk and metal wrapped silk thread, linen foundation Technique: satin, split, stem, and laid work stitches; bobbin lace, Table cover with center scene depicting 'Venus i Cupido' in elaborate frame. Surrounding center is eight scenes, two marked 'La Hermosa Diana,' and at each corner, one showing North American Indians (?); border of flowers, scrolls and cactus. Edged with bobbin lace in color., Mexico or South America, midlate 19th century, embroidery & stitching, Table cover.
DC
alb5169703 Venus and Cupid, Stipple engraving with etching, printed with colors on paper, Venus, standing, holds aloft the bow and quiver of cupid, who pleads for it with clasped hands. Hymen flies at right. In a hexagon inscribed in a circle. Decoration for the lid of a snuff box., France, 17601790, Print, Print.
DC
alb5166678 Designs for Gobelins Tapestry, October (Les Mois Grotesques par Bandes), Claude Audran III, French, 1658 - 1734, Red chalk, pen and brown ink on cream laid paper, Three vertical panels depicting the months of April, June and October, in reverse from the engraved designs for tapestries. 'April' shows the bull in a wreath medallion at top, with Venus and Cupid in a frame at the center of the drawing. Below the frame is a swan between billing pairs of doves, all resting on a pedestal supported by dolphins. In 'June', Cancer is omitted. Mercury is placed in the central framing structure surmounted by a cock. A ram is below. 'October' shows Scorpio in a wreath at top, Minerva in the central frame, and Arachne(?) making a tapestry below., France, 170910, textile designs, Drawing, Drawing.
DC
alb5149192 Albrecht Biller, Joseph Friderich Leopold, sheet from the series Wandschilder, Friese, Tischplatte und Tisch für getriebene Silberarbeit, paper, copperplate engraving, sheet size: height: 36,30 cm; width: 23,30 cm, inscribed: in der Platte: Cum Priv, Albrecht Biller inv: et delin, Jos: Frid: Leopold excudit, Printed graphics, Deciduous and banded work, Grotesque (ornament), Baroque, A cartouche of deciduous and banded work with depiction of the god Saturn and Venus and Cupid, sheet from the series Wall signs, friezes, tabletop and table for chased silver work.
DC

Total de Resultados: 1.387

Página 1 de 14